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Street Haunting in Venice

A busy schedule in Venice leads to illuminating walks through old heritage structures, lectures in the open, and a poetic universe

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The moon rising against the backdrop of the church of Maria della Salute, as seen from the historic Accademia bridge over the Grand Canal

The moon rising against the backdrop of the church of Maria della Salute, as seen from the historic Accademia bridge over the Grand Canal

Rosalyn D’melloAutumn manifests so uniquely in Venice. After two sunny, blue-skied days, I finally encountered the mythical fog that sits over land and water, like a gauzy veil, wrapping the city in an uncanny stillness. I arrived here a day after delivering a lecture at Künstlerhaus Büchsenhausen, along with my co-fellows, and had to immerse myself immediately in the workshop I was invited to conduct by the Bern University of Applied Sciences as part of a theory seminar for architecture students.

It’s been exciting to be located in a different quarter of Venice after having spent three summer months in Castello. I’m right beside the Arts Academy in Dorsoduro, and I am feasting on the particularities that distinguish this area from other parts of Venice. Through my east-facing window, I can glimpse the bell tower of San Giorgio Maggiore, and before it, the church of Santa Maria della Salute. If I peer out leftwards, I can see the bell tower of St Mark’s Cathedral. Two minutes away is Zattere, from where I can take the ferry to wherever I need to go.

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