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Nana Patekar dies at 75: Lesser-known facts about the veteran actor
Updated On: 08 October, 2026 01:44 PM IST | Rachel Pereira
From earning Rs 35 a month painting film posters to serving during the Kargil War, these lesser-known facts reveal the life and struggles behind Nana Patekar's iconic career

Nana Patekar. Pics via AFP

The actor’s birth name is Vishwanath Patekar. He was given the nickname Nana by a close friend of his mother during his childhood, and the name eventually became his identity

Nana Patekar began working at just 13 after his family faced financial difficulties. He earned Rs 35 a month painting film posters and was given one meal a day

As a schoolboy, Nana would walk around 8 km to Chunabhatti after classes for work. The difficult routine became part of his early struggle to support his family

While preparing for his film Prahaar, Nana trained for three years with the Maratha Light Infantry. In 1999, Nana received permission to serve with troops during the Kargil War

Away from the camera, cooking has been one of Nana’s passions. He has spoken about preparing food for entire film units, including one crew of around 110 people

Nana Patekar lost his eldest son, Durvasa, when the child was two and a half years old. Durvasa was born with multiple health complications, including a cleft palate and vision impairment in one eye

Nana owns a farmhouse near Pune where he has grown crops including rice, wheat, onions, garlic and peanuts. Farming has remained an important part of his life away from films

When his son Malhar wanted to enter films, Nana chose not to simply use his own influence to launch him. Malhar instead worked behind the camera, including as an assistant director

Nana has donated prize money from awards towards drought relief and farmer welfare. His philanthropy has also included contributing earnings from films to charitable causes

During a chaotic theatre incident, Nana helped actor Ashok Saraf escape an angry crowd and even drove an autorickshaw to get him to safety, according to Saraf’s recent recollection
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