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WWII battle in Marathi ballad

Using the ancient Marathi folk forms of Powada, Lavani and Bharud, this act showcases a slice of history, raises social awareness

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Shahir Nishant Shaikh

Shahir Nishant Shaikh

Kala Pathak, meaning ‘art group,’ emerges as a contemporary reinterpretation, seamlessly weaving together diverse folk performances from across Maharashtra. Rooted in a rich historical tapestry, the performance aims to not only entertain but also wield the power of artistic expression as a catalyst for social awareness. The 60-minute-long performance by an ensemble of 14 artistes will unfold at a former mill district of Mumbai, a space that G5A occupies in Lower Parel.

Shahir Nishant Shaikh, a key artiste in the ensemble, sheds light on the purpose behind Kala Pathak by saying, “It [the group] is an amalgamation of various folk performances of Maharashtra, such as Bharud, Powada and Lavani.” He emphasises the troupe’s commitment to utilising these traditional art forms as a means to address pressing social issues, ranging from global warming to socio-economic inequality and the caste system. Highlighting the historical significance of these traditions, Shaikh underscores their role in creating social awareness, lamenting the gradual fade into obscurity. He asserts, “The tradition was instrumental in spreading the message of the Indian Independence movement. It is now fading into obscurity.”

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